Campbell Carolan


Alt-D
Future Development, 2016

Dual Front
The Hand Gallery, 2018

HAMSTERMACHINE
13th St. Reperatory Theatre, 2017

NAFTA Miami
2018 Miami Basel. Montez Press Radio, 2019.

Noblesse Oblige
NY Bienniale, 2020.

Other Side of History
Columbia University, 2018

Soft Skills
Red Bull Studio, 2015



Inventory
via Art Record

News

Individual & in studio



Victoria Campbell ︎

︎ Micaela Carolan 



campbellcarolanstudio@gmail.com
Noblesse Oblige, 2020.
Block prints, Chevy Malibu, birdseed, White Claw, ice cooler, speakers, soap.

Tailgate show featuring 23 block print editions that used language from the Karpman “victim triangle” and a rental car. 

Curated by Dean Kissick for N.Y. Bienniale (Jacky Flowers, Matt Hilvers, Precious Okoyomon, Amalia Ulman, Campbell Carolan, Aria Dean, Paige K.B., Sven Loven, Torey Thornton.)


PRESS RELEASE



CAMPBELL (V/O)

There we were emerging into the contemporary, with this goddamned incredibly expensive car,completely twisted on current events, no cash, no market viability and no chargers. And on top of everything, a ten car pile up  of missed calls. We’d been in the Catskills for long enoughfor people to notice we weren’t at work.

Do me one last favor, Art: just give us five more high-speed hours before install; just let us
get rid of this goddamn car and off the New Jersey Turnpike.

A SILVER MALIBU with FLORIDA license plates comes into view. Driving the car are the two
remaining board members of the limited-liability conceptual art outfit CAMPBELL CAROLAN.
The words “EVERYTHING MUST GO” peels off the left passenger side windows of the “NOBLESSE OBLIGE” in Irish Soap. Over the
sweet sweet sounds of PUBLIC ENEMY and BRITNEY, the half dozen empty cans of WHITE CLAW tied to the bumper rake down NY 17 at 80MPH audibly.

Whoever’s behind them can make out the words NOBLESSE OBLIGE across the back windshield of the MALIBU. The two parvenu’s haul ass towards MANHATTAN.



CAMPBELL:

That dad is riding our ass. Are you speeding?

CAROLAN floors the accelerator. CAMPBELL takes a long drag on someone else’s JUUL.

CAMPBELL:

Tailgating is an installation context, right?

CAROLAN:

It is now.

EXT. - TWO HOURS LATER, A PRESTIGIOUS BLOCK OF DOWNTOWN MANHATTAN COMES INTO VIEW. CAMPBELL CAROLAN park the car to watch for cops. At 6PM, CAMPBELL and CAROLAN get out of the car and begin unloading the TRASH, WHITE CLAW, AND BIRDSEED from the MALIBU.

CAROLAN:

I need some tape.

CAMPBELL (V/O):

The New York Bienniale. Three months prior to the...whatever. We wouldn't even know until a week later after seeing his tractor posted up on Museum Mile. It was bigger than the “Noblesse Oblige”, but as per usual, all we could do was count on the historical blindspots.

CAROLAN starts unloading the COOLER. They’re both starting to come down.



CAMPBELL:

Think about site-specificity here. Antique roadshow, Zuccotti park. This is public art for chrissake. Where’s the birdseed—

CAROLAN gets back in the MALIBU and starts stabbing the GPS as if to trigger the deus ex machina.

CAMPBELL:

Don't bother. That happened hours ago.

CAROLAN gives up and pops the trunk to reveal the BACK INVENTORY.

CAROLAN:

Hey! I found the keys!

CAMPBELL (Gestures towards MONUMENT):
Don’t attract attention. Some people committed crime to be here.

CAROLAN:

Holy cow! What the fuck is this?!

CAMPBELL:

Don't worry, those are only illegal in Manhattan.

CROWDS begin to gather in BLEEKER PARK.

CIVILIAN #1

Hey! Is that your car?

CAMPBELL:

You poor fools have been watching too much news. This car is the property of the World Bank.
That money goes to ITALY!

CAROLAN tapes a FINE ART PRINT over the rear mounted camera of the MALIBU that reads "PRIVILEGE IS RESPONSIBILITY”

CAROLAN:

This is a fine art show. Have a White Claw.

CAMPBELL CAROLAN gesture towards JACKY FLOWERS installing a work on a nearby iron fence.

Meanwhile, SVEN LOVEN unfurls a large painting hanging off a streetlamp.



CIVILIAN #2:

Fine Art, hell! Look what you’re doing to that car!

CAROLAN:

Fuck the car. They should make these things with automatic drive.

CAMPBELL:

This car cost us $1100 so far. That makes it practically a discourse

CIVILIAN #3:

I need to see a press release! This is flagrant white privilege.

AMALIA ULMAN begins speaking politically. The ART AUDIENCE and the PUBLIC become divisive.



CAMPBELL:

Go listen to that woman over there.

CIVILIAN #4:

Somebody should call them out!

CAROLAN:

Cancel us? Are you people crazy?

The PUBLIC begins to demonstrate signs of unrest.

CIVILIAN #1:

I need to speak to a curator!

CAMPBELL begins to throw birdseed at the encroaching people

CIVILIAN #4:

Look what they’ve done to that beautiful car!

CAROLAN jumps in behind the wheel. CAMPBELL calls shotgun and hurls herself through the
passengers side window.

CAROLAN:

This art audience is not rational. They can’t relate to us. Let’s find another parking spot.

CAROLAN floors the accelerator — screams at the audience.

CAROLAN:

You people all have representation! You killed patronage!

The MALIBU swerves round and through the PUBLIC.

CAROLAN (V/O) :

The public broke ranks. Nobody wants to be run over by a Chevy Malibu.



EXT. CAR RENTAL AGENCY - NEXT DAY

RENTAL AGENT:

Holy God! How did this happen?

CAROLAN:

We were late to an art show, Officer

RENTAL AGENT:

I can’t see anything through the rearview mirror!

The CAR RENTAL AGENT wrestles with the trashed car.

CAROLAN:

Yeah, somethings wrong with the GPS.



INT. -- (FLASHBACK) THE MALIBU HURTLES DOWN NY 17

CAMPBELL:

The trick is to iterate rapidly and not name anything until you have to.

CAROLAN:

Look out and tell me if that tractor is still tailing us. We might have to test the brakes.


















CAROLAN (V/O) :
The public broke ranks. Nobody wants to be run over by a Chevy Malibu.



EXT. CAR RENTAL AGENCY - NEXT DAY



RENTAL AGENT:
Holy God! How did this happen?



CAROLAN:
We were late to an art show, Officer



RENTAL AGENT:
I can’t see anything through the rearview mirror!



The CAR RENTAL AGENT wrestles with the trashed car.



CAROLAN:
Yeah, somethings wrong with the GPS.



INT. -- (FLASHBACK) THE MALIBU HURTLES DOWN NY 17



CAMPBELL:
The trick is to iterate rapidly and not name anything until you have to.



CAROLAN:
Look out and tell me if that tractor is still tailing us. We might have to test the brakes.